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Francis Bouchard Named Contessa 38 Finalist for Canadian Hairstylist of the Year
Montreal stylist Francis Bouchard of Sans Bon Sens is a Contessa 38 finalist for Canadian Hairstylist of the Year, with a five-image collection shot by Jules Bédard.
By Rebecca Stone
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- Competitions & Shows
- Chair
- No. 07
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- 2 min
Consultation notes
- Francis Bouchard is a finalist for Canadian Hairstylist of the Year at Contessa 38.
- Bouchard works at Sans Bon Sens salon in Montreal, Que.
- The entered collection comprises five images, shot by photographer Jules Bédard.
- Makeup on the entry is by Ann-Frederick Tremblay.

Francis Bouchard, a stylist at Sans Bon Sens in Montreal, is a finalist for Canadian Hairstylist of the Year at the Contessa 38 awards. The category is the flagship individual title in Canadian professional hairdressing, and Bouchard is one of the field competing for it this cycle.
The Contessa awards, run by Salon magazine, are Canada's longest-running national hairdressing competition. Entry number 38 places this edition in a lineage that has run continuously since the competition's launch, and the Canadian Hairstylist of the Year category — Styliste Canadien de l'année in the bilingual entry materials — sits at the top of the program. For a working stylist, a finalist slot is a credentials marker: it travels with the name on bios, price lists and salon marketing long before any winner is announced.
Who is on the Bouchard entry team?
The finalist submission credits a compact creative team:
- Hairstyling: Francis Bouchard, Sans Bon Sens, Montreal, Que.
- Makeup: Ann-Frederick Tremblay
- Photography: Jules Bédard
Five images make up the entered collection, filed under entry reference 27. Bédard's photography carries the visual argument of the entry; Tremblay's makeup frames the styling work in each frame. Competition collections of this size — five finished looks — represent weeks of pre-production, model casting and shoot-day execution, typically assembled outside regular salon hours.
What does a finalist slot mean for the salon?
For Sans Bon Sens, a Montreal salon, the shortlist puts the business in front of a national trade audience at zero media cost. Salons behind named finalists routinely convert the placement into booking pressure for the stylist involved, and into recruitment leverage when hiring chairs. The cost side is real but bounded: competition hair, product, testing days and photography sit with the entrant and team, not the salon balance sheet, unless ownership chooses to sponsor the entry.
The Montreal market context matters. Quebec entries are bilingual in the awards' own materials, and Bouchard's nomination keeps the province visible in the national Hairstylist of the Year field — a category that historically draws finalists from across the country.
How is the entry judged?
Contessa collections are assessed on the finished photographic work: technical execution, overall image quality and the coherence of the collection as a set. Five frames is the working canvas. Judges see Bédard's photography first and the hair within it, which is why teams lock photographer, makeup artist and styling into a single visual language before the shoot day.
For stylists weighing a future entry, the Bouchard submission shows the standard package: one named hair finalist, one makeup artist, one photographer, five images. No announced sponsor or product partner appears in the entry credits.
What comes next?
The finalist collection is published ahead of the winners' announcement, and the five Bouchard images are now viewable in full resolution on the awards platform. The next data point to watch: the Contessa 38 winners' gala, where the Canadian Hairstylist of the Year title is decided from this finalist field.
via salon-media.s3.ca-central-1.amazonaws.com (Original)
More from Rebecca Stone
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Staff writer covering people, launches and day-to-day practice in professional hair industry at Chairside Brief.
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